Ojolo reflects on how love, like art, dances between illusion and truth. Inspired by Quinten Massys’ Ill-Matched Lovers, this piece questions when love is real, and if it ever truly is.

An introspective reflection on the thin line between madness and creation. Through the stormy brilliance of J.M.W. Turner, Ojolo questions the blindness of today’s art market, a world that often mistakes light for noise.

Celebrating presence in the digital realm. ojolo reflects on the inclusion of his work Mascarojo 25 in Harmony of Tension, a global virtual exhibition curated by Dominique D. Sahms. The piece examines the red mask as symbol and mirror, what we hide, what we unveil.

This essay is a descent, not into despair, but into truth. ojolo explores the act of creative falling: letting go of safety, certainty, and recognition. The abyss becomes a site of revelation, where failure mutates into light.

A meditation on the immortality of art. ojolo imagines a spectral island where artists who vanished in silence still create beyond the material world. A reflection on legacy, anonymity, and the strange beauty of persistence after erasure.

Main image of ojolo’s artwork: composition of layered textures and semi-formed shapes, evoking absence, fragmented masks, and memory’s fissures — a visual exploration of being unseen and the poetics of erasure.

We don’t talk enough about this, because the algorithm doesn’t like the smell of failure.